Tim Massey - Bristol, UK-based playwright
Sounding the Stops (2004)

Contents

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ACKNOWLEDGMENTS

SOUNDING THE STOPS

Introduction

The Homunculus Problem

The Conscious versus the Unconscious Mind

The Metalanguage of Literature

The ‘Fort-Da’ Game as Elementary Narrative Structure

Narrative Structure and the Psyche

Bricolage

Applying the Metalanguage of Fiction

‘…simply getting on with it…’

Writing’s Threshold Guardians

‘…a solitary, obscure, frequently disappointing way of pursuing a life…’

Creative Writing and Freudian Psychosexual Development

The ‘Excitement’ of Conflict

Fantasy and the Creative Process

The ‘Splinter of Ice’ and Building ‘Castles in the Air’

‘Nothing Can Happen to Me!’ – the Creative Writer as Hero

‘Lashed to the Mast’ – the Artist’s Reworking of Fantasy

The ‘Way Back to Reality’

The Myth of the ‘Happy Person’

Creative Writing and the Reality Principle

Art and Desire

The Elusiveness of Desire

The Imaginary and the Symbolic

Mind the Hermeneutic Gap: Creative Writing and Metonymy

Towards the Phallus

The Phallus

The Phallus and the Macguffin

Conclusion

practicalities and pragmatics

Chronology

Why write for the stage?

Contemporary Playwriting and Influences

Script Development

TOUCHY FEELY

HAVE-A-GO HERO

BACON SANDWICH

CHRISTMAS WITH JOHNNY AND DEE

Bibliography

Filmography

 

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